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    Privacy˙Terms˙
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    in relation to

    US /ɪn rɪˈleʃən tu/

    ・

    UK /in riˈleiʃən tu:/

    B1
    phr.PhraseConcerning; with reference to; regarding.
    The study examined the effects of exercise in relation to weight loss.
    phr.PhraseCompared with.
    The cost of the project is small in relation to the benefits it will bring.

    Video subtitles

    Prime Minister's Questions: 17 January 2018

    44:53Prime Minister's Questions: 17 January 2018
    • profit warning, which is why we took action in relation to the contracts that we issued.

      profit warning, which is why we took action in relation to the contracts that we issued.

    • and that's why we took action in relation to the contracts that we issued.

      and that's why we took action in relation to the contracts that we issued.

    B1

    The Vocabulary Show: Kitchens & cooking - Learn 28 English words and phrases in 11 minutes! ?‍?

    11:29The Vocabulary Show: Kitchens & cooking - Learn 28 English words and phrases in 11 minutes! ?‍?
    • Now there are many, many examples of onomatopoeia in the kitchen and in relation to cooking.

      Now there are many, many examples of onomatopoeia in the kitchen and in relation to cooking.

    • in the kitchen and in relation to cooking.

      in the kitchen and in relation to cooking.

    B1

    Self-Esteem

    05:37Self-Esteem
    • We don't feel inadequate in relation to everyone who has more than us.

      We don't feel inadequate in relation to everyone who has more than us.

    • We don't feel inadequate in relation to everyone who has more than us

      We don't feel inadequate in relation to everyone who has more than us

    B1

    The Life Changing Effect of Small Talk With Strangers

    04:08The Life Changing Effect of Small Talk With Strangers
    • minor social exchanges. They stand,  in relation to lengthy friendships,  

      minor social exchanges. They stand,  in relation to lengthy friendships,  

    B1

    How I Plan and Organise my Week To Get Things Done

    06:46How I Plan and Organise my Week To Get Things Done
    • If you watch my video on how to live a more interesting life, I talked about the concept of planning it in and doing it anyways, and I talked about that in relation to planning little adventures in your life and then doing them anyways, no matter how you felt on the day.

      If you watch my video on how to live a more interesting life, I talked about the concept of planning it in and doing it anyways, and I talked about that in relation to planning little adventures in your life and then doing them anyways, no matter how you felt on the day.

    • and I talked about that in relation to planning little adventures in your life and then doing them anyways no matter how you felt on the day.

      and I talked about that in relation to planning little adventures in your life and then doing them anyways no matter how you felt on the day.

    A2

    I Analysed 100 Years of Gold Prices, This Is What I Found

    16:19I Analysed 100 Years of Gold Prices, This Is What I Found
    • When the dollar loses its value, gold prices rise because in relation to the dollar, gold has actually grown, since gold is limited in supply, but the dollar can be printed by the Federal Reserve of the United States.

      When the dollar loses its value, gold prices rise because in relation to the dollar, gold has actually grown, since gold is limited in supply, but the dollar can be printed by the Federal Reserve of the United States.

    • When the dollar loses its value, gold prices rise because in relation to the dollar, gold has actually grown since gold is limited in supply,

      When the dollar loses its value, gold prices rise because in relation to the dollar, gold has actually grown since gold is limited in supply,

    A2

    HOW MY $100k FARM BUSINESS PLAN WORKED (real-time review)

    14:14HOW MY $100k FARM BUSINESS PLAN WORKED (real-time review)
    • Now I'm thankful for that money, but in relation to the time it takes me to make these videos and resources for you guys, it's like a dollar an hour.

      Now I'm thankful for that money, but in relation to the time it takes me to make these videos and resources for you guys, it's like a dollar an hour.

    • in relation to the time it takes me to make these videos and resources for you guys.

      in relation to the time it takes me to make these videos and resources for you guys.

    B1

    Ray Dalio is Preparing For A Crash Like 1929

    18:35Ray Dalio is Preparing For A Crash Like 1929
    • but now those 200 thousand dollars can buy a lot less things, because in relation to foreign currencies the US dollar just got significantly weaker.

      but now those 200 thousand dollars can buy a lot less things, because in relation to foreign currencies the US dollar just got significantly weaker.

    • But now, those 200 thousand dollars can buy a lot less things, because in relation to foreign currencies, the US dollar just got significantly weaker.

      But now, those 200 thousand dollars can buy a lot less things, because in relation to foreign currencies, the US dollar just got significantly weaker.

    A2

    The Book of the Dead May Not Be What You Think It Is

    11:41The Book of the Dead May Not Be What You Think It Is
    • These seem very similar to those described in later centuries' funerary texts in relation to passage to the afterlife, which means we can't be totally sure what even indicated funerary concepts to begin with when we are relying on illustrations alone.

      These seem very similar to those described in later centuries' funerary texts in relation to passage to the afterlife, which means we can't be totally sure what even indicated funerary concepts to begin with when we are relying on illustrations alone.

    • These seem very similar to those described in later centuries' funerary texts in relation to passage to the afterlife, which means we can't be totally sure what even indicated funerary concepts to begin with when we are relying on illustrations alone.

      These seem very similar to those described in later centuries' funerary texts in relation to passage to the afterlife, which means we can't be totally sure what even indicated funerary concepts to begin with when we are relying on illustrations alone.

    B2

    A Guide to Personalising Books *grangerising*

    17:51A Guide to Personalising Books *grangerising*
    • And then the final annotation point that I will say, and this is something that I've done, actually already done with this book and I've done with a few others, is using an invisible ink pen. This is my one, it's got like a UV light on the end. And I use invisible ink if I want to do any sort of journaling in the book. So if for example it's bringing up a memory or it's making me reflect on something philosophically or in relation to my past or anything, I will use invisible ink to journal inside the book.

      And then the final annotation point that I will say, and this is something that I've done, actually already done with this book and I've done with a few others, is using an invisible ink pen. This is my one, it's got like a UV light on the end. And I use invisible ink if I want to do any sort of journaling in the book. So if for example it's bringing up a memory or it's making me reflect on something philosophically or in relation to my past or anything, I will use invisible ink to journal inside the book.

    • That's a key theme when looking at 17th century literature and processes of reading, the idea of being active with what you're reading and kind of connecting to the book that you're reading. So even the act of stamping a book with an ex-libris stamp that has your name on it or your family crest traditionally. Frances Wolferston, for example, in the 17th century would write Frances, her book, in the front of her books. But there's a connection and there's an ownership to reading that which involves the reader and actually kind of physically puts the reader into the book. And that ownership, that connection definitely feels more valid and understandable considering how much rarer books were. I mean, books are still pretty expensive but when you compare the price to what it used to be, they are so, so, so affordable and they are affordable enough that, especially if we're shopping second hand, we can accumulate a lot of books. And so it kind of makes sense that we wouldn't then like customise all of our books and kind of write our names and all of our books in the same way. Though not to say that not everyone does because I do think the ex-libris stamp is making something of a comeback. But I just love how grangerising makes a book personal to you and the book itself then reflects and is testament to how much a book means to you. It kind of becomes this material marker in relation to you as the reader. It also bestows importance onto the physical object of the book as well as just the text. Like this book is significant because I bought this when I was 17 and I've read it four times since then and so it's kind of joined me in a very material way in many different life stages and it's kind of transcended time and moved with me which I think is absolutely beautiful. Effectively when you add your own illustrations, when you add tiny kind of snippets and annotations and thoughts, you're adding to the paratext of the book as well. And I think when we kind of frame it as a form of paratext, it kind of helps to even better frame like the importance of your personal copy to you as a reader. Paratext was kind of most officially and famously theorised by Jeannette in his book Paratext from 1987 and paratext is all of the stuff around the actual text. So this is the text and then the paratext will be like, you know, the four words or in this book there's quotes at the beginning from Stephen Hawking. There are dedications, there are words of thanks, you've got the information about publication, you've got like other works by Margaret Atwood here, you've got the cover, you've got what else? Oh yeah, more books by Margaret Atwood there. And these are things which are connected to the text but they're not actually part of the text and so when you grangerise a book

      That's a key theme when looking at 17th century literature and processes of reading, the idea of being active with what you're reading and kind of connecting to the book that you're reading. So even the act of stamping a book with an ex-libris stamp that has your name on it or your family crest traditionally. Frances Wolferston, for example, in the 17th century would write Frances, her book, in the front of her books. But there's a connection and there's an ownership to reading that which involves the reader and actually kind of physically puts the reader into the book. And that ownership, that connection definitely feels more valid and understandable considering how much rarer books were. I mean, books are still pretty expensive but when you compare the price to what it used to be, they are so, so, so affordable and they are affordable enough that, especially if we're shopping second hand, we can accumulate a lot of books. And so it kind of makes sense that we wouldn't then like customise all of our books and kind of write our names and all of our books in the same way. Though not to say that not everyone does because I do think the ex-libris stamp is making something of a comeback. But I just love how grangerising makes a book personal to you and the book itself then reflects and is testament to how much a book means to you. It kind of becomes this material marker in relation to you as the reader. It also bestows importance onto the physical object of the book as well as just the text. Like this book is significant because I bought this when I was 17 and I've read it four times since then and so it's kind of joined me in a very material way in many different life stages and it's kind of transcended time and moved with me which I think is absolutely beautiful. Effectively when you add your own illustrations, when you add tiny kind of snippets and annotations and thoughts, you're adding to the paratext of the book as well. And I think when we kind of frame it as a form of paratext, it kind of helps to even better frame like the importance of your personal copy to you as a reader. Paratext was kind of most officially and famously theorised by Jeannette in his book Paratext from 1987 and paratext is all of the stuff around the actual text. So this is the text and then the paratext will be like, you know, the four words or in this book there's quotes at the beginning from Stephen Hawking. There are dedications, there are words of thanks, you've got the information about publication, you've got like other works by Margaret Atwood here, you've got the cover, you've got what else? Oh yeah, more books by Margaret Atwood there. And these are things which are connected to the text but they're not actually part of the text and so when you grangerise a book

    A2